Ancient Art, Humans, Animals
ANCIENT ART MODERN ART
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If I Had A Hammer
https://www.youtube.com/watch?v=lGMOB2K78iM If I had a hammer, I'd hammer in the morning I'd hammer in the evening, All over this land I'd hammer out danger, I'd hammer out a warning, I'd hammer out love between my brothers and my sisters, All over this land. If I had a bell, I'd ring it in the morning, I'd ring it in the evening, All over this land I'd ring out danger, I'd ring out a warning I'd ring out love between my brothers and my sisters, All over this land. If I had a song, I'd sing it in the morning, I'd sing it in the evening, All over this land I'd sing out danger, I'd sing out a warning I'd sing out love between my brothers and my sisters, All over this land. Well I got a hammer, And I got a bell, And I got a song to sing, all over this land. It's the hammer of Justice, It's the bell of Freedom, It's the song about Love between my brothers and my sisters, All over this land. It's
Limericks and Nonsense Poems
On Limericks Limericks are poems like haiku , a short pithy form, but unlike haiku, the rhythm is more flexible, and they are often amusing, scurrilous, ribald, or even downright obscene. In fact, as it’s a common, low culture form, there are no rules that can’t be broken so long as you stick to metre and rhyme, more or less. You don’t have to begin on the downstroke, the first beat of the bar, so to speak. You can add syllables, so long as you keep the main rhythm intact. The second word in this limerick is the first stress. A man called Car niv orous Keith Ate a di et of chick en and beef He washed in warm ham Dressed in roast lamb And used tur key to white n his teeth The rhyme scheme is almost always A, A, B, B, A - but that can also be flexible to some extent. It’s traditional to end with a punchline , but the subject doesn’t have to be comic. This one opens in the middle of a musical narrative: So Johnny said “Bonn
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